Was Streets of Fire a hit?

Directed and co-written by Walter Hill and starring Michael Paré, Amy Madigan, Diane Lane, Rick Moranis, Deborah Van Valkenburgh and Willem Dafoe, Streets of Fire was a box-office failure following Hill’s success with 48 Hrs.

How old was Diane Lane when she did Streets of Fire?

18
The character of Ellen Aim was written as a 28-year-old woman and Diane Lane read for the part when she was 18.

Who sings nowhere fast from Streets of Fire?

Fire Inc.Nowhere Fast / Artist

Was meatloaf in Streets of Fire?

OST Streets Of Fire | The (Almost) Complete Meat Loaf and Jim Steinman Lyric Archive.

Was meatloaf in STREETS OF FIRE?

Who sings for Ellen Aim in STREETS OF FIRE?

Laurie Sargent
Trivia (56) This was intended to be the first in a trilogy of action films starring Michael Paré as Tom Cody. However, its failure at the box office had put an end to the project. The Attackers were the real-life band-mates of Laurie Sargent, who provided the singing voice for Ellen Aim.

What genre is streets of fire?

Streets of Fire is a 1984 American neo-noir rock musical film directed by Walter Hill and co-written by Hill and Larry Gross. The film is described in its opening credits and posters as “A Rock & Roll Fable” and is a mix of various movie genres with elements of retro-1950s woven into then-current 1980s themes.

When did streets of fire take place?

Streets of Fire. Jump to navigation Jump to search. 1984 film by Walter Hill. Streets of Fire is a 1984 American film directed by Walter Hill and co-written by Hill and Larry Gross. It is described in its opening credits and posters as “A Rock & Roll Fable”.

Who are the producers of streets of fire?

The concept for Streets of Fire came together during the making of 48 Hrs., and reunited director Walter Hill with producers Lawrence Gordon and Joel Silver, and screenwriter Larry Gross, all of whom worked together on that production. Gross later recalled:

Is streets of fire a bad movie?

The website’s critical consensus reads, ” Streets of Fire may sometimes buckle under the strain of its ambitious fusion of disparate genres, but Walter Hill’s bravura style gives this motorcycle musical fuel to burn.” Janet Maslin of The New York Times criticized the film’s screenplay as being misogynistic and “problematically crude.”